![]() The front and rear XLRs are both connected to digitally controlled mic preamps inserting a mic cable into the front panel socket deactivates the rear panel one, which seems reasonable. The Analogue 1/2 inputs can be selected from the front panel combi sockets, a pair of rear panel XLRs, or another pair of rear panel balanced jacks, using a front panel switch. Although the OMNI has eight analogue input connections, the first six share a stereo input channel into Pro Tools. The rounded front panel appears to be composed of firm, moulded plastic and is reasonably sturdy. The OMNI physically fits a lot into its 1U rack housing. Using a DigiLink Mini connection, connects to Pro Tools|HD (cable and adaptor included) (Selects PCIe or Apple Thunderbolt).Uses a dedicated Word Clock and Loop Sync I/O to keep everything in sync.With a dedicated cue path, you can improve communication while tracking.Listen to your mixes in as many channels as you want, from stereo to 7.1 surround sound.Curv, a new built-in-feature, allows you to track heated signals and smooth out sounds.Fully integrates with Pro Tools |HD for comprehensive routing, mixing and monitoring control.Route audio independently from Pro Tools using the 14-input persistent monitor mixer.Supports 4x8 analog audio streams or 8x8 when digital is included.8 line outputs, each with real analog gain.8 ADAT I/O channels (supports S/MUX II and IV).8 line outputs each with true analog gain.2 premium mic/DI preamps digital controlled. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |